Jacked Up

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I don’t usually put on my graphic designer hat to write this blog, but tonight, the power of fast food compels me. While eating at a Jack in the Box for the first time since college, I spotted a history of the company logo on a placemat. The old logos had character! More than that, they actually had — get this — Jacks-in-the-Box! Somewhere between 1951 and today, Jack in the Box managed to pretty much screw the pooch when it comes to corporate identity.

Problem number one: I had no idea Jack in the Box had even changed its logo. A quick trip to Google reveals that the current abomination has been in play since late 2008. The exterior signage of the locations in my area hasn’t been changed, so this new logo was effectively invisible to me until I found myself craving a patty melt … more than a year later.

Problem number two: This logo suffers from severe multiple personality disorder. We’re not talking about mild, real-life, DSM-IV multiple personalities, either. This is a case of played-by-Jim-Carrey-in-the-movie-version multiple personalities.

The friendly, red six-sided figure and the inviting, old-school script evoke the kind of neighborhood hamburger joint my parents probably visited when they got good grades in elementary school. So far, so good. Then we come to the type for “in the box,” which blatantly aims for cool and contemporary. If the script “Jack” is 1962, the squarish sans serif “in the box” is 2002. It’s less Jack in the Box, more Jack in the XBox.

Conclusion? Jack in the Box has no idea what it really wants to be. Sure, they’ve got the cheeky spokes-clown who’s supposed to signal that they’re less stuffy than other burger places, but he’s asking you to believe a very 1950s proposition: that you should buy these burgers because they’re actually pretty good.

Whatever my feelings about Jack in the Box’s food (for the record: a Sourdough Jack, once a year, tops), the typography doesn’t lie. Jack’s a total schizo, and the dude needs to get his act together.

On this count, I can’t blame Duffy & Partners, the designers of the new identity. The brief they were working with asked for something more in line with the mascot, Jack Box. They delivered the design the client wanted, but because Jack is all over the place, so is the logo.

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Essential reading if you’re curious about this sort of thing:

  • Underconsideration’s branding blog, Brand New, on the new Jack in the Box logo. They’ve even got some images from Duffy & Partners.
  • Bnet’s Jim Edwards is also not a fan of the new logo.

I Got A Little Sad and Made Something

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I’m a fan of the iconic WWII-era British propaganda campaign, KEEP CALM AND CARRY ON, which has been commercialized in the form of prints, posters, t-shirts, bags, and practically anything else you can think of. It’s a reassuring sentiment and a clean design.

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Matt Jones — of Dopplr, among other things, and one of my favorite people to read online — took it one step further. He created a design that resonates even more powerfully with me. Don’t keep calm and carry on, GET EXCITED AND MAKE THINGS. The Get Excited design replaces the classic Keep Calm crown with one made of wrenches, nuts and a chain. It’s the ultimate reminder to get up off your ass and do something with your best ideas. Matt’s design was picked up by Mike Monteiro and Co. over at Mule Design, and became a fantastic t-shirt. Even better, they decided to donate $5 of your $20 shirt purchase to smallcanbebig.org, a site that distributes money to strategically help families in poverty or emergency situations.

As much as I love getting excited and making things, sometimes the best things we make don’t come from an excited place. Sometimes the impetus to create something meaningful comes from being a little sad. I decided there was room for excited makers and sad ones to coexist, and that maybe the more somber segment of the creative population deserved a design, too.

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Hence, GET A LITTLE SAD AND MAKE THINGS. Instead of looking staid or sturdy, this crown is weeping a little bit.

I’m making the design available as a tee through Spreadshirt, and I bought the first one myself to confirm it printed properly. Anyone who’s interested can buy one for a pretty reasonable price. If you want a discount, get in touch with me via Twitter (@strutting), and I might know a Spreadshirt code for you. Also, to acknowledge the inspirational debt I owe Matt and Mike for this one, and put a little sadness to good use, I’ll donate the commission on each shirt to Small Can Be Big.

So, grab a shirt if you’re interested, and then get right back to making things.